Thursday, January 29, 2009
No Needles in Scotland
Usually I go through short fazes of obsession; I get bored and move on to something else. But sewing seemed to stick and only grow stronger as time went on and my projects became more involved. The most difficult garment I ever made was Marty's 19th century waistcoat, or jacket, as not to confuse the Scottish, which is pictured below. I was working on that thing for three months, and was so proud to see him wearing it. I think I enjoy dressing other people more than myself.
Hm mm. If only I could live every day twice and spend one day sewing and one day going to classes.
Sunday, August 17, 2008
The Last Dance
Wednesday, July 23, 2008
Fitting Customers

This is a ball gown I made today from some fabric I have had for over a year (and part of a table cloth). I used the La Mode Bagatelle pattern for everything but the sleeves, which are from the Sense & Sensibility "Elegant Lady's Closet" pattern. Yesterday I made a bodiced petticoat from the La Mode pattern. For those who don't know, a bodiced petticoat is a lightly boned corset of the regency period with a skirt attached. I ran out of fabric for the skirt, but I will post pictures of it later when it is complete. The bodiced petticoat is extremely comfortable and really does create the proper empire waist silhouette. The La Mode pattern includes this and patterns for two gowns, a reticule, hat, and embroidery. I wanted to make a ball gown using one of the gown patterns, but I was so impressed with the bodiced petticoat that I decided to make a ball gown using the same pattern with a slightly higher neckline to conceal the undergarments. So the dress you see is actually a corset/stays pattern!

Saturday, July 19, 2008
Things A Seamstress Can't Live Without
Tuesday, July 15, 2008
The Correct Impression
Having this fabric would allow me to create costumes that are truly period correct in all aspects. The look of lightweight linen is so different from a regular linen or cotton. And I know that linen would be wonderful to wear.
My goal (the ultimate one for my business) is to offer every day modern women the experience of wearing something that would have been worn a hundred or two hundred years ago for a fair price. This would set me apart, and maybe allow me to go on to other costume related careers, such as museum work, movies, plays, or authoring books. Wouldn't it be wonderful to see your costumes on tv? Or to have other costumers refine their own skills with your help? Finding the right fabric is just one example of how hard it is to accomplish this.
Perhaps I am boring my readers, but isn't a similar mindset important in all businesses? Shouldn't we always be seeking to become masters at what we do? Researching, reading, practicing, and being obsessively particular about quality. I know I am sounding like my managers at the T-shirt shop. And yes, when you are talking about T-shirts it is laughable. But costuming is an art; an art that is fading into the past. And I adore it.
